Lamia Joreige
Replay | 2000
Video, book and text. 4:07 min (loop). Ed.1/3 +1 AP +1 HC

'Replay' explores the idea of rupture of time / within time, of rupture as violence and possible death. Two photographs - fragments - of the Lebanese war, are chosen to be re-enacted by two performers, a man and a woman. The book from which these photographs are taken is displayed in a small window, in reference to the archive. We can see on each of the three aligned screens of equal size, a video projected in loop: A man never stops falling, never stops dying (right screen). A woman never stops running, never stop escaping (left screen). Two bodies separated by the immutable sea (middle screen), are perpetuating a vain act.

Reference LJ-MMI-2000-A

Biography of the artist

Born in Beirut. 1972
Works and Lives in Beirut

Lamia Joreige is a visual artist and filmmaker. She earned her BFA in 1995 from the Rhode Island School of Design, where she studied painting and filmmaking. She uses archival documents and elements of fiction to reflect on history and its narration, and the relation between individual stories and collective memory. Her work explores the possibility of representation of the Lebanese wars and their aftermath in Beirut, and centers on Time: the recording of its trace and its effects on us. Joreige has written, directed and produced works ranging from short essay films and one feature narrative, to multimedia installations, as well as drawings and sculptures. A first monograph: In 2018, her first monograph, ‘Lamia Joreige: Works 1994-2017’ was published by Kaph Books. ‘Records for Uncertain Times’ was published by Taymour Grahne Gallery in 2015. She is also the author of ‘Under-Writing Beirut —Mathaf’ (2013) 'Time and the Other' (2004) and 'Ici et peut-être ailleurs' (2003), and has contributed to numerous panels and publications among which : TDR, Apexart, Sarai Reader, Art Journal, Art Forum, Livraison and Camera Austria. Joreige was a fellow at the Radcliffe Institute for advanced studies at Harvard University for the year 2016-2017. She was shortlisted for Artes Mundi 7, the United Kingdom’s leading biennial art prize and was awarded the Amore & Psiche award for best film at Medfilm festival, Rome in 2015. She is a cofounder and board member of Beirut Art Center, which she codirected from 2009 to 2014. The artist’s work has been presented in prominent global institutions, biennials and festivals including: Museum der Moderne Salzburg, Austria; Fondazione Sandretto Re Rebaudengo, Torino; MAXXI, Rome; Venice biennial; Harvard University’s Carpenter Center for the Visual Arts, San Francisco Museum of Modern Art; the International Center of Photography, the New Museum and Taymour Grahne Gallery, New York; Centre Pompidou and 104, Paris, Nicéphore Niépce Museum; FID Marseille; Tate Modern and The Serpentine Gallery, London; Liverpool Biennial, Cardiff National Museum; Modern Art Oxford; Mori Art Museum, Tokyo; Reina Sofia Museum, Madrid; Seville Biennial; Haus der Kulturen der Welt, Berlin; Townhouse gallery, Cairo, Sharjah Biennial, UAE; Mathaf, Qatar ; and in Beirut, Marfa’ gallery, Homeworks (Ashkal Alwan), Festival du film Libanais and Beirut Cinema Days.