Said Baalbaki
Wadi Abou Jmil | 2015
Artist book of 10 lithographs. 66 x 50 cm. Ed.9/20 Lithography by Said Baalbaki (Berlin 2012-2014) Text by Gregory Buchakjian (Beirut, 2015)

Said and Ayman Baalbaki grew up in the neighborhood of Wadi Abou Jmil, after their family was expelled from the Eastern outskirts of Beirut. In the mid 1990s, the reconstruction process of the city center implied the evacuation of the inhabitants and the demolition of a majority of the buildings. Baalbaki, who witnessed the leveling of the area, composed images of the veiled façades of buildings marked for destruction. In 2015, he produced two sets of lithographs in the artist books, “Wadi Abou Jmil”, in black and white, accompanied by a text by Gregory Buchakjian, and “Le chantier”, in color, with a text by Valerie Cachard.

Reference MSB-WP-2015-A(1-17)

Biography of the artist

Born in Lebanon. 1974
Works and Lives in Berlin

Themes of historical accuracy, institutional power and social memory feature in the artwork of painter and interdisciplinary artist Mohamad Said Baalbaki. Based in Berlin, the Lebanese artist was initially known for painted works that drew on his experiences as a child during the Lebanese Civil War and Israeli occupation. Baalbaki and his family were often uprooted and forced to move between different districts in Beirut and elsewhere in Lebanon during the war. Baalbaki’s paintings, often devoid of people, portray piles of items such as suitcases, shoes, clothing and other belongings, symbolising lost, unrecorded and forgotten stories of history. A conceptual shift in Baalbaki’s work occurred in 2006 when he began to examine the role of museums and institutions in guiding dominant perceptions of history. His ongoing project “Al Buraq” is a fictional museum display charting the discovery of remains of the winged horse with a human head that is part of the Islamic tradition. Baalbaki seeks to challenge the credibility of the museum, asking: “why and how does an artefact presented in a museum convey the impression of utmost credibility and authenticity to the spectator?” Baalbaki’s work, featured in many prestigious galleries, has been exhibited across the Middle East, Europe, Canada and the United States.